In 2016, 20+ pieces of mine have been published in a variety of
outlets. My primary writing home continues to be Macmillan Publishing’s
Criminal Element blog. I have been doing posts about books and movies for that
site since 2012. I did some book-related posts for CE this year, among those an especially enjoyable
assignment via which I covered an excellent new coffee table book on crime
fiction author Ross Macdonald.
But most of my 2016 Criminal Element posts have been on the
cinema. I wrote overviews of two movie genres I value: Italian giallo films,
and Japanese pinky violence movies.
I also wrote page-to-screen
features where I covered Nicholas Ray’s film adaptation of Dorothy B. Hughes’s
novel In a Lonely Place, as well as
Wim Wenders’ screen version of Patricia Highsmith’s Ripley novels, The American Friend. In a
Lonely Place was one of several new Criterion Collection movie editions I
covered this year. I’m happy to have formed a relationship with Criterion,
whereby they send me advance review copies of some of their releases and I
write about them for Criminal Element. Other Criterion titles I wrote posts on
this year include Herk Harvey’s Carnival
of Souls, Russ Meyer’s Beyond the
Valley of the Dolls, and Hiroshi Teshigahara’s Woman in the Dunes.
I wrote a few one-off feature articles for various
publications this year. For Crime Time, an online crime fiction site from the
U.K. which is overseen by Barry Forshaw and to which I have contributed several
times over recent years, I wrote a piece on French noir novelist
Pascal Garnier. Another crime fiction webzine, The Strand, later re-ran the
piece, which offers an overview of Garnier's work and a look at how some of it compares to the edgier crime novels written by Georges Simenon, as well as to European new wave cinema.
For Shindig! music magazine of the U.K., I wrote a feature
article on one of my all-time favorite bands, The Equals. I interviewed
original members Derv Gordon and Pat Lloyd for the piece, asking them questions
about the group's legendary live performances, its aspect of being one of the
first multi-racial pop/rock bands, and their experiences with being a group who
had a big hit yet made albums for an independent label. This article appeared
in Shindig! issue #58, over the summer.
I did a piece on noir author Malcolm Braly for Literary Hub,
a literary webzine run by Grove/Atlantic. The article focuses on how Braly’s
life as a career thief impacted his life as a writer; what it was like for him
to write his first two novels from prison, and then how his being an ex-con
affected him when he was released from jail.
I also wrote two short features for the It’s Psychedelic
Baby blog, which is done by Klemen Breznikar of Slovenia. I’ve written features
and reviews for IPS on-again, off-again, over the past several years. This year
I contributed a short obit of Bernie Worrell, in which I commented on the sad
passing of the influential musician, with some reminiscences of the time I
interviewed him about one of the bands he played in: Funkadelic.
I also did a short feature on the Russian surf/spy/psychobilly/B-movie
act Messer Chups for IPB, via which I penned a brief overview of the band with
a focus on the style of their bass player Zombierella, and named 10 of my
favorite songs by them.
Finally, I’ve been at work on a new short story, tentatively
titled “The Snow and Us.”
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